Third episode of the second season of the series: "New Year, new life."
Posted on June 26, 2010 by Jose Prada
Third episode of the second season of the series: "New Year, new life."
Posted on June 11, 2010 by Jose Prada
Second episode of the second season of the series: "times of crisis".
Comments Off
Posted on June 4, 2010 by Jose Prada
Many people ask us to Henry and me, in a tone of disbelief or distrust, we do know how to follow the plot of Jindama. Some, not just once, but one after another. Not teach the plot plan of the 4 seasons we have written to prove, because such action would remove all the interest to the series.
The issue comes about because of the following: not if because we come from reading a letter environment with some science, or whatever, we believe that the basis of any audiovisual piece that we will have is based on the writing, either a number, an advertisement, a video clip, you get a sense etc.Tienes previously in the worst-or all absolutely planned-at best-to have something interesting. Many people come from other backgrounds, or even professionals that we have found in these latitudes, are surprised when, speaking out the issue. It's like something I had not thought of, people who think that alone tells stories camera or camera that records such is good. In my not surprised, when I receive an email from any where you read "Have if we see", for example.
The summer of 2009 will remember it as the summer in which, drawing widespread national inactivity August, July and, if possible, in June, we got to write the script for the rest of the series, the first season had already been recorded- . Taking advantage of the lean, locked ourselves two months to write a complex plot, with dozens of characters, plots, storylines and situations. Great moments, when we give a solution, just blank, empty morning, moments of discussion because Henry liked my idea and reversed. In this phase, the script is like clay. This is getting by to do a piece with packaging and a form and we like them both. From having the plot, everything is easier. Once completed, we are of those who access any ideas, changes or suggestions from the actors are there to confirm, whenever we like.
All this is because, at these levels, if not preproduces well, you have neither the time nor the money to fix any mess later. So, because the unexpected is inevitable ... better not add more for not writing sooner. For something improvised and meaningless, that we did, for example: